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Indoors and outdoors


David Sawyer – Beddington Park in the snow.

We had a snow day! Suddenly Instagram was filled with images of grown-ups going outdoors with childish glee to revel in the crisp whiteness of it all. Us painters of course grasped it with both gloved hands. The compositional possibilities of having so many light shapes down where we’d usually find the darks cannot be allowed to pass unrecorded. This painting by David Sawyer was painted even as the alarmingly quick thaw was setting in, you can feel the fleeting nature of it.

Charles Patey, living in Norway, is used to snow but confinement, not so much. Whilst stuck indoors he has created this excellent tableau as a paean to his dormant life drawing group, The details are exquisite, do have a close look, the easels are Charles’ own design, we have twenty of them for our pop-up events but I also love the crud on the floor, probably the sort of things artists don’t notice in the way that organisers do! Charles goes back to the early days of this group and now runs a similar organisation in his native Norway.


And founder Alison Packer, who many of you will know from our IRL sessions, is now down in the South of France settling into her space there, which because of quarantine has to be indoors for seven days. She has dug out her watercolours and is beginning to become excited with what she sees around her. Here are some mimosas that caught her eye, and nose. She sends her love.

Confinement can cause reflection and re-evaluation, it’s like we’ve all been put on sabbatical. If all goes well we will find that out of the inactivity, we discover the urgency of new projects to carry us through to the new, clean, fully vaccinated, post Covid world – indoors or outdoors.

 

Free Masterclass with Erin Raedeke

Free Masterclass with Erin Raedeke is on the 15th February 7.00pm: read more or sign up on this page

 

Tuesday Evening Freya’s Fast Poses 7.00pm-8.30pm on Zoom


Hannah

Wet media: splishy, splashy, scritchy, scratchy. Freya will be asking you to get your inks, watercolours and brushes out this evening because yes, you can draw with paints and inks. If you are looking desperately around your home for something that looks like a paintbrush, don’t worry, you can draw along in the spirit of wetness perfectly well with a pencil if that is all you have. Our model is dancer Hannah.

You can join us on Zoom from 6.45pm and get to know us and any other drawers before work commences at 7.00pm.

The cost is £8 but if you can convince us you’re a student we’ll give you a code to get the session for £5: drop us an email.

Click here to book

Wednesday Portraiture 2.00pm-5.00pm on Zoom

Amy will be our portrait model for this week and next. I think the piercing is a thing of the past.

Zoom fee is £15 Please book here

The session fee will be reduced to £12 if you use the discount code PESTE2 at final checkout. This is optional.

Saturday Long Pose Life Drawing 10.00am-1.00pm on Zoom


Rebecca

Rebecca will posing for us this Saturday and next. Rebecca is a dancer and almost always poses with her mouth slightly parted, as in the picture above, which brings a distinct charm to the proceedings.

Zoom fee is £15

Please book here

The Zoom session fee will be reduced to £12 if you use the discount code PESTE2 at final checkout. This is optional.

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A Finny Story

Following the announcement by our Dear Leader it seems that we will be confined to quarters for the foreseeable future. Zoom it is.
We heard mutters about restrictions being slackened by March but we’ve heard that sort of thing before.

What that means for us is that we will be unable to have artists in the studio. This is a great sadness to us, on a personal level we’re not immune to the effects of isolation and at a business level it prolongs a very hard year. We are doing our very best to keep going and we sincerely appreciate your support as we navigate what is going to be a bleak midwinter together.

We can of course help each other. Whilst Zoom is unlikely to be many people’s first choice it is very effective for distance learning and to practise, it adds in technological complexity but you do save on travel time and cost and you are encouraged to establish a home studio practice which is immensely valuable. It may just keep us sane and if our Zoom courses and events are well attended we live to fight another day.

Any teachers out there?

With the schools being closed and online education being a bit patchy it occurred to us that we could support teachers who want to deliver classes to their youngsters but don’t have the space or equipment to do it. If you are a teacher, we could help you set up and deliver some classes from our, now well resourced, digital studio. Email us if that is of interest.

A finny story


Winslow Homer- Casting Number Two

Notes from an idle painters diary

As a naval child I grew up with the chilled brine smashing into my face and fresh mackerel on my plate. Later, as a schoolboy I lived by the gently roiling Thames, bothering gudgeon and bleak in the long summer months. I am no fisherman but I know enough about the routine of casting a line to sense the connection with the inner hunter gatherer in us all. Certainly enough to spin a tenuous creative metaphor.

The thing about fish is you cannot see them. You know they are there, sometimes they even ripple the water just to tease you, but you cannot be sure exactly where or at what depth or which bait or lure will be the one to snag them.

Experience teaches us their habits, the languid pools within which they lurk or their taste in wiggly worms or cheese or fly. Ultimately though we cast our bait where we sense they may be, there is always an element of faith and mystery.

As artists we may find this familiar. We can go through the motions: we prepare our surfaces, our colours, our implements; we try a new pen, sketch from a different angle, look and record but essentially we are casting our line into the creative pond, sure there is something there but unsure as to how to snag it. With the honest application of routine, a little time and patience it may be that we get a bite.

When the fisher girl feels the bite it is sometimes the gentlest of tugs, so delicate that she may feel she has imagined it. If she strikes too soon the fish will flee and the commotion will clear the waters for some time. If she judges it right her line snaps taut and she can feel the shimmering vitality of her quarry, she is awake and in the game. The fish must be played, if too eager the line may break, insufficient tension and the fish will gain the upper hand, all of her skill is required to land her prize.

The artist too can learn to sense that first twitch of the rod, they notice a shape or colour or juxtaposition and feel something rising up within them, a sense of possibility, the vitality of creative energy, a clarity of purpose. Gently now, just aware and curious and then with more certainty. When seen there is no doubt, the game is on. Some will get away: we scrape down, crumple and toss; but when we land a big one we learn where and how, we may well return to that glistering pool again.

To land the prize takes skill, that is a craft. To sense where the big fish play, that is art.

Having said that I think metaphors can be stretched a bit far at times as in this delight from beyond the fringe by Alan Bennet.

Happy New Year.
These courses still have places – hurry, starting this week!

Tuesday Evenings start 5th Jan – Introduction to Painting From Life with Alex Tzavaras
Wednesday Evenings start 6th Jan – Portraiture with Alex Tzavaras
Thursday Mornings start 7th Jan – Landscape with David Sawyer
Monday Evenings start 11th Jan – Introduction to Life Drawing
Thursday Evenings start 14th Jan – Intermediate Life Drawing

Most of our events are accessible from this page.

Tuesday Evening Freya’s Fast Poses 7.00pm-8.30pm on Zoom


Adrian @modbodadrian

“Drawing with flow and non-expectation” is Freya’s theme to commence the New Year with special reference to @arturdornellesferreira

This is creative life drawing where the emphasis is on experimenting and making the marks your body was made to make rather than conforming to someone else’s ideas about what drawing should look like.

You can join us on Zoom from 6.45pm and get to know us and any other drawers before work commences at 7.00pm.

The cost is £8 but if you can convince us you’re a student we’ll give you a code to get the session for £5: drop us an email.

Click here to book

Wednesday Portraiture 2.00pm-5.00pm on Zoom


Vivian

Vivian is in traditional dress with some pretty punchy colours. She will sit for us this Wednesday to finish the pose she started before Christmas, so do join us to finish your work or, if you were absent before Christmas, pull up a chair and see what you can make of her in three hours.

Zoom fee is £15 Please book here

The session fee will be reduced to £12 if you use the discount code PESTE2 at final checkout.

Saturday Long Pose Life Drawing 10.00am-1.00pm on Zoom


Anna

Anna sat for a portrait last year, which we enjoyed and this Saturday she will be giving us a figure pose. She is tall and willowy.

Zoom fee is £15, in-studio fee varies.

Please book here

The Zoom session fee will be reduced to £12 if you use the discount code PESTE2 at final checkout.
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Planning in a Pandemic

Planning in a Pandemic


Agata Smolska – still life study with grey and brown, from a class with Clare Haward

We are in that curious liminal space between Christmas and New Year, nothing left of last year and not yet the next; like when walking the shore between the tides we find the flotsam and fragments of previous projects and the space to imagine the new.

I was once lucky enough to work for a Japanese company that saw this period as the perfect time for a thorough stocktake and rather than going for bracing walks and eating hearty food would spend their time in the warehouse sifting through dusty boxes. I was even invited to join them.

Whilst I’m much more of a bracing walks kind of person, taking stock is a sensible endeavour, and now, as the days grow longer and a sense of new beginnings is in the air; it seems a natural thing to do.

Planning is best done with both the head and the heart, it is the head which conducts the stocktake and structural projection but it is the heart that brings the energy for the new. As artists, we are great at anything is possible style creative thinking but not always the best at the thoughtful review of practicalities. With a new beginning we have to start from where we are, so this time, here, now, is the time to have an unsentimental unpacking of all that we are, throw it out on the floor and have a good look. When we can clearly see where we are, the next step becomes easier to discern and our plans have a better chance of being realistic.

Planning in a time of plague

We may have our hopes for the New Year but by Jiminy, the virus and it’s new strains have scuppered some of them! Whilst the schools are shut we have to be too. Whilst international travel is so complicated we’re holding off on overseas painting trips (although we have the end of April pencilled in). However, our brilliant tutors have worked out how best to support you remotely and the results they are getting are amazing. We will also continue to run life drawing and painting sessions using Zoom starting on Tuesday the 5th Jan and keep our fingers crossed for the future.

We hope that Christmas has warmed your heart and that we’ll see you somewhere in our New Year.

These courses have space available:

Tuesday Evenings start 5th Jan – Introduction to Painting From Life with Alex Tzavaras
Wednesday Evenings start 6th Jan – Portraiture with Alex Tzavaras
Thursday Mornings start 7th Jan – Landscape with David Sawyer
Thursday Evenings start 7th Jan – Intermediate Life Drawing
Monday Evenings start 11th Jan – Introduction to Life Drawing

Zoom sessions:

Tuesdays Freya’s Fast Poses restart on the 5th January at 6.45pm for 7.00pm on zoom – book here
Wednesday portraiture sessions start again on 6th January at 2pm – book here
Saturday morning life drawing and painting starts on 9th January at 10am – Book here.

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Why the Big Reset needs us artists

The Big Reset.


Jean-Baptiste-Siméon Chardin – Water Glass and Jug

It should be clear by now that nothing will ever be the same again. Even after we’ve been inoculated beyond belief we will be addicted to online shopping and suspicious of people who want to go outdoors. There won’t be anything worth going outdoors for of course, all the decent shops, pubs and restaurants will have disappeared. Our employers, if we are lucky enough to have them, will be saving a fortune not having to waste money on expensive offices but to be honest, unless you work for the government, Google or Amazon, you probably won’t have a job.

So maybe now is a good time to be an artist. Artists don’t have employers, not just because some of them are unemployable; but they have scant regard for authority and little time for rules. Whilst they may get paid for the work they do, in an ideal world they don’t work to get paid. Artists work to a deeper rhythm, the shapes they make reflect their inner truth, the greater the verity the more likely the artifacts will affect others. And now is definitely a good time to be making things that reflect truth.

We live in frisky times, when change occurs the outcome is never certain. Those who have purpose and position, playing with geopolitics; they need us to remind them of what is true: those with their noses buried in their bank balances need artists to remind them of what is important and substantial and those who drudge need art to remind them of their own truth.

Artists have an innate ability to discover rightness and when they achieve harmony in their own work, in a small way they affect others and adjust the rightness of the universe.

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Will you be feeling a little prick in the New Year?

Will you be feeling a little prick in the New Year?


Will you be feeling a little prick in the New Year? It appears that those lovely people at big pharma have managed to pull a golden rabbit out of the hat of our broken lives. Good for them. And good for us if it means we can get back to rebuilding our relationships and businesses. I feel I should be cracking open the champagne but there is a weariness which I’m sure will pass.

We know that those of you who come to our studio to study painting or drawing from life are nourished by the presence of other artists. Like many creatives, I find that time alone is fertile ground but by all that is sweet, the company of others is a fillip to existence and a spur to the production of art. Humanity is the inoculation we all need: a heroic dose of human company would set us all straight. Before we can take this best of all medicines though, it seems we’ll be witnessing another world beating roll out; wouldn’t it be nice if this time it went without a hitch?

It is hard not to be cynical having lived through the last few months, part of me thinks the whole thing is massively overblown and then the other part meets someone who has lost more than one member of their family and then I am thoughtful.

At least now we can tentatively plan for the New Year – our twice cancelled painting trip to Provence looks like it will happen precisely one year late and now we’ve sorted out how to run a Covid Safe studio with digital streaming we’ll be able to use it more thoroughly, with or without the PVC screens.

If the notion of the vaccination causes you to think forward, our courses are beginning to fill up for next year. If you are already painting with Clare Haward, Alex Tzavaras or David Sawyer and want to continue next term it is a good idea to sign up now, before we start to promote them, to secure your place. Most of our courses are accessible from this page.

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What lies beyond the doors of uncertainty?

This is a drawing by Kate Langley from last Tuesday’s Fast Drawing group, it’s a great drawing but what is also notable is the way Kate has embraced the anarchy of the exercise and worked with the random marks produced. Here’s what she says on Instagram:

“Last night was my first Fast Drawing Class @dulwichartgroup – and what a rollercoaster it was!
We were told to use our left hand to apply a wash of watercolour or ink to suggest contours, then use our right hand to define areas with pen, charcoal etc. Oh, did I mention the model moved (albeit slowly) all the time??! So, if you click through the 6 sketches you’ll probably think I was at some sort of orgy/depicting the ascent of (wo) Man/ at a murder scene or meeting Quasimodo!!

At first I hated it – I am too competitive – but gradually hysteria set in and it was soo liberating, in a mad way! I even like my first attempt (6) best. Thanks to Simon and dancer Lorea for their patience and good humour.”

It also shows what value we can get from working on Zoom during Lockdown. Not many of us would choose to work this way (some do) but as a way of pushing ourselves and our art it definitely works.

Kate is an experienced artist who understands that we are best rewarded if we constantly nudge at the doors of uncertainty. If you have a little less experience and want to learn more about how to draw the human figure think about joining our:

Introduction to Life Drawing

This is a ten week course on Thursday evenings between 6.30-8.30pm delivered by Daisy Perkins. It takes you from the absolute basics, from how to hold your pencil through to proportional drawing with tone (shading). It is a lightning tour of a range of methods used by many artists. Our philosophy is that we show you a whole toolbox of approaches and encourage you to press on with the ones that work for you.

It’s probably the most thorough short course in drawing available and at the moment it is delivered entirely on-line. The next term starts on January 7th, the class size is limited so that we can give you personal attention so now is a good time to sign up. Read more here

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What if we make our drawing about the excitement of seeing?


One of Rodin’s fluid life drawings

You may wonder why it is that we’ve been pushing creative drawing recently on our short pose life drawing sessions.

We know we can teach you to draw accurately, we know that we can show you how to control proportion and value to describe form convincingly, it takes time and effort but there is no intrinsic mystery. At one level it is a craft, you should be able to learn observational drawing in the same way you learn dressmaking or sailing.

However there are moments along our path as artists where we discover that what we are doing may tick the accuracy box but lacks excitement. It seems that all of the certainty we have put in place, through learning the rules of draughtsmanship, can constrain us as much as supporting us.

Nothing stays still, everything to do with life, love and creativity is in a constant state of becoming, it breathes and it changes, so it follows that every now and then we may benefit from changing the way we approach drawing.

What happens if we make our drawing about something other than optical or dimensional accuracy? If we make our drawings about the very excitement of seeing, our very own and personal joy of perception; what are we now drawing? What if we focus only on the elements of what we see that have meaning for us, that move us individually, that we alone feel?

Our short pose sessions on Monday and Tuesday evenings look at this dimension and each week we suggest pranks and stratagems for foxing that aspect of ourselves that likes to constrain: playful approaches that encourage us to reengage with our simple and authentic creative voice.

If you are thinking of joining us on Monday Bad Drawing or Tuesday Fast Poses this week could you make sure to have at least two drawing things, one that will make big spludgy marks, say a big brush and some ink or watercolour or chalks or a rag and pigment; and one that will make a distinct line like a pen or pencil? Ta.

Mermaid Chunky new Album Vest

Fans of Freya may have noticed she’s been a bit away lately, that’s because she has been working hard to deliver her new album as part of Mermaid Chunky. You can listen to snatches of it here and buy the album (recommended) to add some strangeness and charm to your life.

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What has Clare been doing during lockdown?

Clare Haward: A Year in Review

Further information:
Self Portrait in Green, Oil on Linen, 65 x 50cm, 2020

Clare Haward, who some of us are lucky enough to have learnt from has a good article about her up on Artsy.com along with some rather brilliant paintings, like the one above. She is working with a stronger narrative and larger, her sense of colour harmony and the careful arrangements of shapes will be more familiar.

Clare Haward: a Year in Review

“A year since her inaugural solo exhibition at 155a Gallery, South London based artist, Clare Haward, has generously agreed to ‘open the doors’ to her studio and share with us some of her practice over the past year. The selection includes works in progress and drawings alongside finished works. Clare would like to thank Elizabeth Greenshield’s Foundation for their support. 155a Gallery looks forward to exhibiting Clare’s recent work in June 2021.” More here


Fresh off the Box Easel – St James Park by David Sawyer this week.

David Sawyer’s Architecture in the Landscape course is starting this week on Thursday Mornings 10.00am-1.00pm and there is still time to sign up – you can come to the studio or join in on Zoom. It runs for six weeks and will give you a good grounding in getting the architecture to work for you in your paintings.

Read more here
Join us to paint in our Covid Safe studio 

We’ve gone to great lengths to keep artists safe whilst working from a model in our studio. We take your temperature with infrared on entry, invite you to sanitise and escort you to your work station. Once at your easel you are separated from other artists by transparent PVC screens. You can remove your mask and get on with your work, being able to chat through the screens. When away from your workstation just observe normal social distancing etiquette.

At the moment you can come to Wednesday’s portrait group and Saturday’s life drawing and painting. If you want to come along to Monday and Tuesday evening life drawing in the studio, drop us an email and we’ll arrange it manually whilst our bookings system is being updated to reflect the changing reality.

Monday Evening Bad Drawing Group 7.00pm-8.30pm on Zoom


Valeria

Daisy will be helping us to draw badly this week. Why not join us for some stimulating non-judgmental art making from the naked human figure? We will have model Valeria, young and lissom, making the shapes and Daisy will exercise your creative mind with left field visual activities to bring life to your work.

You can join us on Zoom from 6.45pm and get to know us and any other drawers before work commences at 7.00pm.

If you want to come to our Covid safe studio you may but please email us to make the booking – it’s not on the website yet!

The cost is £8 but if you can convince us you’re a student we’ll give you a code to get the session for £5: drop us an email
Studio attendance is £10 – please email us to book.

Click here to book

Tuesday Evening Life Drawing with Freya 7.00pm-8.30pm on Zoom


Elettra

Freya will be giving you some exciting new things to do with your pencil. Her model is Italian Elettra, pictured above. This creative session usually has short poses and then longer ones, it’s fun and unconventional, drawing from the human figure; always keeping things fresh. This Tuesday Freya is going to be looking at how we perceive movement, is it a flow, a series of flash frames, do we get the whole figure or significant parts? and so on. The model will be moving for some of these poses, Elettra is a dancer so that makes things a bit easier.

You can join us on Zoom from 6.45pm and get to know us and any other drawers before work commences at 7.00pm.

The cost is £8 but if you can convince us you’re a student we’ll give you a code to get the session for £5: drop us an email

Click here to book

Wednesday Drop-in Portraiture 2.00pm-5.00pm on Zoom


Bela by Jane Lawrence


Bela

The second week with Bela, we started before the half-term break. The picture at the top is by Jane Lawrence. Looking at Jane’s recent paintings I think lock-down is suiting her!

This is a two camera setup with a portrait camera and a wide camera to get the figure in should you need it.

Please note that it is now possible to paint from life in the studio. Zoom fee is £15, in-studio fee varies.

Please book here

The session fee will be reduced to £12 if you use the discount code PESTE2 at final checkout.

Saturday Drop-in Long Pose Life Drawing 10.00am-1.00pm on Zoom


Valeria by Laurence Cutts


Valeria

This will be the second session with Valeria in a seated pose as illustrated by Laurence Cutts, above. We have two cameras so that you get a wider view of the figure, as painted by Laurence and a closer shot that crops in just below her boobs.

Please note that it is now possible to paint from life in the studio. Zoom fee is £15, in-studio fee varies.

Please book here

The Zoom session fee will be reduced to £12 if you use the discount code PESTE2 at final checkout.
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The secrets to painting architecture

Architecture in the Landscape with David Sawyer RBA


St Martin’s in the Fields – David Sawyer

Thursday Mornings 10.00am-1.00pm

Learn how to paint the built landscape with one of Great Britain’s finest exponents

Architecture is an important element in David Sawyer’s work. Known primarily as a landscape painter many of his paintings feature buildings either as the subject or as compositional devices. He has a way with buildings, he can conjure them from a few strokes of his brush. He conveys the complexity of their structures with a breathtaking deftness and economy and yet fully communicates the spirit, weight and presence of these pervasive masses of stone and steel.

Over six weeks David will be sharing the secrets of how he works and helping you to paint buildings and architecture with confidence. He will help you put in place the ideas, perceptions and tools you will need to bring architecture to life in your paintings and drawings.

This course takes place in our Covid safe studio but you can also attend through Zoom if you prefer.

Read more here

Next week is half term

Next week is half term, we’ll be taking a rest and getting things ready for the second half of term. It’s one of the great ironies of this time that the world is divided into those who are stuck at home on nearly full pay whilst the rest of us are running around like decapitated fowl having had our income streams decisively severed! If you’re in the first group, the activities of the second may have made your confinement more tolerable and I know that everyone in the creative community is deeply grateful for your support.

We, however, are in the second group and golly have we been busy trying to build up our business. We are now offering hybrid sessions so that most of what we offer can be had either in the studio or digitally using Zoom. Both ways have their advantages. Clare Haward and Alex Tzavaras have adapted their teaching so that it is delivered via Zoom. Because the students are working in their own spaces it genuinely brings the teaching home and supports the ongoing personal practice of each artist. David Sawyer will be running a hybrid session (see above), we’ll see how that works.

We no longer have drop-ins but life drawing and painting sessions can be attended with little or no notice by booking on the website.

One benefit of the new system is that now that artists have to book we can choose how many to have in the studio, something we have yearned for before but about which there was much resistance. Artists seem to like the freedom of deciding to turn up whenever; from an administrator’s point of view that’s always been a challenge. At the moment we cannot take more than 15 in our studio so there’s no overcrowding and you know what you’re going to get – so that’s progress of a kind.

Next week we’ll all be restoring the tissues and bracing ourselves for whatever happens next, another lockdown maybe? No matter, we are prepared!
Join us to paint in our Covid Safe studio 

We’ve gone to great lengths to keep artists safe whilst working from a model in our studio. We take your temperature with infrared on entry, invite you to sanitise and escort you to your work station. Once at your easel you are separated from other artists by transparent PVC screens. You can remove your mask and get on with your work, being able to chat through the screens. When away from your workstation just observe normal social distancing etiquette.

At the moment you can come to Wednesday’s portrait group and Saturday’s life drawing and painting. If you want to come along to Monday and Tuesday evening life drawing in the studio, drop us an email and we’ll arrange it manually whilst our bookings system is being updated to reflect the changing reality.

Monday Evening Bad Drawing Group 7.00pm-8.30pm on Zoom


Valeria

What with one thing and another Monday came and went. We had antipodean circus performer Jem posing for us, giving us some nice extended stretches and shapes. We practiced memory drawing, only briefly but enough to discover that actually all of our drawing with the exception of blind drawing, is actually done from memory. With the ready access we now have to images and models we can forget that many artists had to work partly or entirely from their visual memory. Rather like a pianist reading sheet music, where the manuscript leads but much of the nuance is informed by memory, when we draw the figure our memory and understanding of the form can be just as important.

Next week is, of course, half term so here is a picture of Valeria who will be our model for Bad Drawing on the 26th October

You can join us then on Zoom from 6.45pm and get to know us and any other drawers before work commences at 7.00pm.

If you want to come to our Covid safe studio you may but please email us to make the booking – it’s not on the website yet!

The cost is £8 but if you can convince us you’re a student we’ll give you a code to get the session for £5: drop us an email
Studio attendance is £10 – please email us to book.

Click here to book

Tuesday Evening Life Drawing with Freya 7.00pm-8.30pm on Zoom


Rodin’s gesture drawing

Adrian gesturing

Freya will be looking in to the use of gesture with particular reference to Rodin. That does not mean we’ll be doing the Thinker or the Kiss, lovely though they are but rather becoming excited with the way in which he explored his subject in two dimensions. Rodin drew a lot. His drawings have a freedom and fluidity that we can learn from. Unlike some sculptors who think out their three dimensional statements on the two dimensions of paper, he tended to draw directly with clay, possibly referencing drawings of his model from different angles. His more sculptural drawings tended to be illustrations of his completed works.

Our model is Adrian.

You can join us on Zoom from 6.45pm and get to know us and any other drawers before work commences at 7.00pm.

The cost is £8 but if you can convince us you’re a student we’ll give you a code to get the session for £5: drop us an email

Click here to book

Wednesday Drop-in Portraiture 2.00pm-5.00pm on Zoom


Bela

We had Bela sit for a figure painting session a few weeks back and whilst we all enjoyed painting her it was the power of her face that captivated a lot of us. So we’ve invited her back to sit for a portrait for this week and next.

This is a two camera setup with a portrait camera and a wide camera to get the figure in should you need it.

Please note that it is now possible to paint from life in the studio. Zoom fee is £15, in-studio fee varies.

Please book here

The session fee will be reduced to £12 if you use the discount code PESTE2 at final checkout.

Saturday Drop-in Long Pose Life Drawing 10.00am-1.00pm on Zoom


Valeria

Valeria will be our model for this Saturday and the one following the half term on the 31st October. Valeria has a gamine figure and will probably be a bit sun-kissed having returned recently from Greece, her homeland.

Please note that it is now possible to paint from life in the studio. Zoom fee is £15, in-studio fee varies.

Please book here

The Zoom session fee will be reduced to £12 if you use the discount code PESTE2 at final checkout.
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When will I be able to draw?

When will I be able to draw?


Paul Klee – the Ghost of a Genius

Have you ever felt like an impatient child asking “when will we be there?” when reviewing your progress as a draughtswoman/man? It does seem that learning to draw is an endless task and we never quite get to where we want to be. And if we ever imagine we have, we are quickly suffocated by our own smugness. We prefer the uncertainty of new artistic challenges to resting on the laurels of past achievement. I thought it was the book Zen and The Art of Motor Cycle Maintenance that coined the idea that “it’s not the destination but the journey” (Google suggests not!) but whatever, it’s a helpful, if hackneyed notion. And a very good book.

The thing is that the more we draw, the more we see. As our journey progresses, so our elected destination changes. Many of us start out aspiring to draw so well that “it looks like a photograph” and as we approach this goal discover that what we actually want is so much more than that. Holding to the practical idea that we must have an aim whilst knowing that the target will always move is a bit more Zen than most of us feel comfortable with. We can, of course look back and review where we have been and what we have learnt, which may give more insight about where we are going than any imagined future.

In the mean time, relax in the knowledge that we will never be able to draw and we will never get there. Just keep drawing and enjoy the Journey.
Join us to paint in our Covid Safe studio 

We’ve gone to great lengths to keep artists safe whilst working from a model in our studio. We take your temperature with infrared on entry, invite you to sanitise and escort you to your work station. Once at your easel you are separated from other artists by transparent PVC screens. You can remove your mask and get on with your work, being able to chat through the screens. When away from your workstation just observe normal social distancing etiquette.

At the moment you can come to Wednesday’s portrait group and Saturday’s life drawing and painting. If you want to come along to Monday and Tuesday evening life drawing in the studio, drop us an email and we’ll arrange it manually whilst our bookings system is being updated to reflect the changing reality.

Pleinairists (without!) David Sawyer RBA


David Sawyer – Chartres Cathedral WIP

David is warming up for his ‘Painting Architecture’ workshop which he’ll be running for six weeks starting on the 29th September by painting some fine buildings in France

Whilst David is away the Pleinairists Whatsapp group are meeting up on an ad hoc basis, rain permitting, no charge, just painting companionship. Drop us an email to be included.

Monday Evening Bad Drawing Group 7.00pm-8.30pm on Zoom


Adrian

Last week Hannah gave us cyclical moving poses and we were invited to watch her carefully for a while, getting used to the rhythms and extents of her movements. We then drew her on the fly. She made it a bit easier for us by pausing every now and then. The images build over the course of the pose, each chosen key image emerging one fleeting observation at a time. Like many of the bad drawing exercises it can reveal to us important aspects of how we work, like how drawing takes place rather than being done.

It may even show the terrifying redundancy of the one who believes themselves to be drawing!

This week we will, by contrast, be working very slowly and encouraging a very intimate physical/visual experience of the model, who will be Adrian @modbodadrian

You can join us on Zoom from 6.45pm and get to know us and any other drawers before work commences at 7.00pm.

The cost is £8 but if you can convince us you’re a student we’ll give you a code to get the session for £5: drop us an email

Click here to book

Tuesday Evening Life Drawing 7.00pm-8.30pm on Zoom


“Memories of Julia’s party” Freya Tate


Elettra

The top picture is a painting by Freya (it’s for sale on her Instagram feed) which shows her puckish way of working. She stops once the statement is made and goes no further, leaving the arrangement with the abandonment of a teenager’s bedroom. I didn’t go to Julia’s party, but it looks quite fun.

Freya will be working with dancer Elettra this Tuesday, looking at symmetry and opposites. If you are joining us could you have two different coloured pens?

You can join us on Zoom from 6.45pm and get to know us and any other drawers before work commences at 7.00pm.

The cost is £8 but if you can convince us you’re a student we’ll give you a code to get the session for £5: drop us an email

Click here to book

Wednesday Drop-in Portraiture 2.00pm-5.00pm on Zoom


Hugh

This is the second week of a two week pose with Hugh. The WIP above shows the view from the wide camera.

This is a two camera setup with a portrait camera and a wide camera to get the figure in should you need it.

Please note that it is now possible to paint from life in the studio. Zoom fee is £15, in-studio fee varies.

Please book here

The session fee will be reduced to £12 if you use the discount code PESTE2 at final checkout.

Saturday Drop-in Long Pose Life Drawing 10.00am-1.00pm on Zoom


Rebecca


Rebecca by Isabella Ward


Rebecca by Jane Lawrence – the view from Zoom

We’ll have Rebecca back to complete this pose this Saturday morning. Three hours on the same pose. You can join us in the studio or on Zoom. The top drawing is by Isabella Ward from the studio and the lower one is by Jane Lawrence using Zoom.

Please note that it is now possible to paint from life in the studio. Zoom fee is £15, in-studio fee varies.

Please book here

The Zoom session fee will be reduced to £12 if you use the discount code PESTE2 at final checkout.